CD Hall of Mastering Prowess
CD loudness and clipping sources
Information is taken from 2440 tracks in 207 albums created by 123 artists, the grand total sound lost due to clipping is 7m:35s (20085586 samples) in 5665419 clips
The Top 81 of Mastering Prowess
Order is determined by: Time lost ÷ CD length
# | Artist | Album [tracks] | time lost, clips/sec
|
1
| Private Eye
| "CDromp 40th Anniversary", 45m:27s, max track level -24.30dB rms
3 tracks, 16 clips, dynamics 20.19dB to 24.17dB | 0.61ms
0.0Hz
|
2
| Pink Floyd
| "In London 1966 1967", 28m:34s, max track level -14.95dB rms
2 tracks, 19 clips, dynamics 14.88dB to 16.59dB | 0.61ms
0.0Hz
|
3
| Pink Floyd
| "Meddle", 46m:51s, max track level -19.77dB rms
6 tracks, 29 clips, dynamics 17.64dB to 20.64dB | 1.27ms
0.0Hz
|
4
| Happy Mondays
| "Live", 75m:36s, max track level -16.47dB rms
13 tracks, 84 clips, dynamics 15.74dB to 22.22dB | 2.11ms
0.0Hz
|
5
| The KLF
| "Last Train To Transcentral", 14m:34s, max track level -18.81dB rms
3 tracks, 16 clips, dynamics 17.46dB to 21.12dB | 0.41ms
0.0Hz
|
6
| Belinda Carlisle
| "Heaven On Earth", 43m:26s, max track level -16.86dB rms
10 tracks, 55 clips, dynamics 16.51dB to 18.60dB | 1.27ms
0.0Hz
|
7
| Genesis
| "And Then There Were Three", 53m:23s, max track level -18.28dB rms
11 tracks, 56 clips, dynamics 16.97dB to 20.91dB | 1.56ms
0.0Hz
|
8
| AC DC
| "Blow Up Your Video", 42m:59s, max track level -17.48dB rms
10 tracks, 49 clips, dynamics 17.20dB to 19.05dB | 1.29ms
0.0Hz
|
9
| Elton John
| "The Very Best Of Elton John Disc 2", 70m:48s, max track level -17.75dB rms
16 tracks, 77 clips, dynamics 16.58dB to 22.54dB | 2.22ms
0.0Hz
|
10
| Voice Of The Beehive
| "Honey Lingers", 31m:53s, max track level -17.47dB rms
10 tracks, 41 clips, dynamics 16.94dB to 19.49dB | 1.02ms
0.0Hz
|
11
| ABBA
| "Greatest Hits Vol 2", 58m:23s, max track level -18.54dB rms
14 tracks, 66 clips, dynamics 16.56dB to 20.73dB | 1.90ms
0.0Hz
|
12
| Elton John
| "The Very Best Of CD 1 Von 2", 67m:24s, max track level -16.88dB rms
14 tracks, 80 clips, dynamics 15.70dB to 20.09dB | 2.27ms
0.0Hz
|
13
| Dido
| "No Angel", 51m:59s, max track level -16.18dB rms
12 tracks, 62 clips, dynamics 15.41dB to 18.65dB | 1.79ms
0.0Hz
|
14
| Candy Dulfer
| "Saxuality", 46m:10s, max track level -17.80dB rms
10 tracks, 62 clips, dynamics 14.98dB to 19.28dB | 1.61ms
0.0Hz
|
15
| Roy Orbison
| "I Drove All Night", 12m:56s, max track level -13.27dB rms
3 tracks, 16 clips, dynamics 13.16dB to 17.01dB | 0.45ms
0.0Hz
|
16
| Blondie
| "The Hunter", 45m: 7s, max track level -17.91dB rms
11 tracks, 53 clips, dynamics 16.53dB to 19.46dB | 1.59ms
0.0Hz
|
17
| Wendy & Lisa
| "Fruit At The Bottom & CDa", 68m:13s, max track level -15.96dB rms
14 tracks, 94 clips, dynamics 15.77dB to 19.80dB | 2.47ms
0.0Hz
|
18
| Squeeze
| "Babylon And On", 42m:11s, max track level -16.28dB rms
12 tracks, 65 clips, dynamics 16.33dB to 19.42dB | 1.59ms
0.0Hz
|
19
| Shakespears Sister
| "Hormonally Yours", 49m:50s, max track level -17.73dB rms
12 tracks, 68 clips, dynamics 16.14dB to 20.69dB | 1.88ms
0.0Hz
|
20
| Status Quo
| "12: Gold Bars & Vol I", 46m:46s, max track level -15.43dB rms
12 tracks, 64 clips, dynamics 15.45dB to 18.84dB | 1.77ms
0.0Hz
|
21
| Eurythmics
| "Be Yourself Tonight", 43m:34s, max track level -17.06dB rms
9 tracks, 58 clips, dynamics 15.79dB to 18.58dB | 1.66ms
0.0Hz
|
22
| ZZ Top
| "Eliminator", 45m:21s, max track level -20.45dB rms
11 tracks, 70 clips, dynamics 17.02dB to 19.69dB | 1.77ms
0.0Hz
|
23
| ABBA
| "ABBA Gold Greatest Hits", 77m: 9s, max track level -16.27dB rms
19 tracks, 124 clips, dynamics 15.28dB to 20.55dB | 3.02ms
0.0Hz
|
24
| Genesis
| "Selling England By The Pound", 53m:42s, max track level -15.99dB rms
8 tracks, 54 clips, dynamics 16.57dB to 22.33dB | 2.15ms
0.0Hz
|
25
| Various
| "Bill & Teds Excellent Adventure", 40m:42s, max track level -17.62dB rms
10 tracks, 62 clips, dynamics 14.82dB to 19.00dB | 1.63ms
0.0Hz
|
26
| Roy Orbison
| "Mystery Girl", 38m:17s, max track level -16.09dB rms
10 tracks, 58 clips, dynamics 14.72dB to 20.25dB | 1.77ms
0.0Hz
|
27
| Genesis
| "Abacab", 47m:10s, max track level -17.42dB rms
9 tracks, 51 clips, dynamics 16.88dB to 19.15dB | 2.20ms
0.0Hz
|
28
| Mike Oldfield
| "Ommadawn", 36m:39s, max track level -20.05dB rms
2 tracks, 17 clips, dynamics 20.34dB to 20.44dB | 1.72ms
0.0Hz
|
29
| Genesis
| "A Trick Of The Tail", 51m:11s, max track level -16.38dB rms
8 tracks, 65 clips, dynamics 16.59dB to 20.55dB | 2.43ms
0.0Hz
|
30
| AC DC
| "Back In Black", 42m: 1s, max track level -15.69dB rms
10 tracks, 57 clips, dynamics 15.37dB to 17.68dB | 2.02ms
0.0Hz
|
31
| ZZ Top
| "Recycler", 39m:55s, max track level -15.40dB rms
10 tracks, 68 clips, dynamics 14.25dB to 15.88dB | 1.93ms
0.0Hz
|
32
| Various
| "Sunday Express & Classical Love Collection Volume 2", 51m:23s, max track level -22.40dB rms
8 tracks, 48 clips, dynamics 16.46dB to 29.28dB | 2.63ms
0.0Hz
|
33
| UB40
| "The UB40 File", 66m:40s, max track level -18.08dB rms
11 tracks, 100 clips, dynamics 18.20dB to 21.30dB | 3.54ms
0.0Hz
|
34
| Syd Barrett
| "Opel", 45m:52s, max track level -15.99dB rms
14 tracks, 80 clips, dynamics 12.83dB to 21.08dB | 2.47ms
0.0Hz
|
35
| Level 42
| "On The Level", 74m:10s, max track level -15.19dB rms
16 tracks, 126 clips, dynamics 15.15dB to 21.36dB | 4.10ms
0.0Hz
|
36
| Olivia Newton John
| "Back To Basics", 72m:11s, max track level -16.55dB rms
20 tracks, 149 clips, dynamics 13.85dB to 20.11dB | 4.01ms
0.0Hz
|
37
| Frankie Goes To Hollywood
| "Welcome To The Pleasure Dome", 64m:33s, max track level -19.45dB rms
16 tracks, 106 clips, dynamics 16.64dB to 24.53dB | 3.61ms
0.0Hz
|
38
| Kate Bush
| "The Kick Inside", 43m:12s, max track level -17.16dB rms
13 tracks, 70 clips, dynamics 15.01dB to 17.80dB | 2.47ms
0.0Hz
|
39
| Bonnie Raitt
| "The Bonnie Raitt Collection", 75m:59s, max track level -16.67dB rms
20 tracks, 121 clips, dynamics 15.35dB to 20.76dB | 4.58ms
0.0Hz
|
40
| Various
| "Driving Rock & disc 2", 78m: 3s, max track level -12.20dB rms
19 tracks, 165 clips, dynamics 12.15dB to 18.92dB | 4.74ms
0.0Hz
|
41
| The Mamas And The Papas
| "The Best Of The Mama And The Papas 20th Century Masters The Millenium Collection", 34m:55s, max track level -14.17dB rms
11 tracks, 75 clips, dynamics 14.00dB to 15.87dB | 2.13ms
0.0Hz
|
42
| Perez Prez Prado & His Orchestra
| "Guaglione", 7m: 0s, max track level -17.43dB rms
3 tracks, 14 clips, dynamics 16.02dB to 17.39dB | 0.43ms
0.0Hz
|
43
| Bangles
| "Best Of The Bangles", 59m:42s, max track level -13.25dB rms
18 tracks, 137 clips, dynamics 12.71dB to 17.45dB | 3.70ms
0.0Hz
|
44
| Barrett Syd
| "Wouldn't You Miss Me & The Best Of", 73m:30s, max track level -12.66dB rms
22 tracks, 155 clips, dynamics 12.39dB to 19.33dB | 4.81ms
0.0Hz
|
45
| Peter Gabriel
| "Us", 57m:49s, max track level -16.73dB rms
10 tracks, 59 clips, dynamics 14.61dB to 20.05dB | 3.79ms
0.0Hz
|
46
| Sheryl Crow
| "Tuesday Night Music Club", 49m:46s, max track level -14.65dB rms
11 tracks, 100 clips, dynamics 14.64dB to 18.73dB | 3.27ms
0.0Hz
|
47
| Dire Straits
| "Money For Nothing", 66m:23s, max track level -17.25dB rms
12 tracks, 136 clips, dynamics 17.39dB to 25.20dB | 4.44ms
0.0Hz
|
48
| The Beach Boys
| "Summer Dreams", 71m:46s, max track level -14.13dB rms
28 tracks, 155 clips, dynamics 13.42dB to 18.97dB | 4.90ms
0.0Hz
|
49
| Madonna
| "Ill Remember CD Single", 20m:15s, max track level -14.78dB rms
4 tracks, 50 clips, dynamics 14.75dB to 19.95dB | 1.38ms
0.0Hz
|
50
| Weird Al Yankovic
| "Off The Deep End", 51m:33s, max track level -13.66dB rms
11 tracks, 147 clips, dynamics 13.53dB to 22.66dB | 3.54ms
0.0Hz
|
51
| Deep Purple
| "30: & Very Best Of", 77m:43s, max track level -10.98dB rms
18 tracks, 163 clips, dynamics 11.87dB to 16.07dB | 5.40ms
0.0Hz
|
52
| ABBA
| "More ABBA Gold", 76m:25s, max track level -16.94dB rms
20 tracks, 190 clips, dynamics 14.30dB to 21.03dB | 5.53ms
0.0Hz
|
53
| Various
| "Driving Rock & disc 1", 77m:55s, max track level -12.62dB rms
19 tracks, 198 clips, dynamics 12.66dB to 18.00dB | 5.71ms
0.0Hz
|
54
| Maria Mckee
| "Sweetest Child", 22m:13s, max track level -17.81dB rms
4 tracks, 44 clips, dynamics 15.63dB to 18.29dB | 1.66ms
0.0Hz
|
55
| Pink Floyd
| "Wish You Were Here", 44m: 8s, max track level -16.85dB rms
5 tracks, 40 clips, dynamics 17.08dB to 19.87dB | 3.31ms
0.0Hz
|
56
| REM
| "Losing My Religion", 9m:11s, max track level -16.59dB rms
3 tracks, 18 clips, dynamics 16.25dB to 16.45dB | 0.73ms
0.0Hz
|
57
| Madness
| "It's Madness Too", 48m:33s, max track level -14.76dB rms
16 tracks, 144 clips, dynamics 13.57dB to 17.38dB | 4.01ms
0.0Hz
|
58
| Alanis Morissette
| "Jagged Little Pill", 57m:30s, max track level -13.25dB rms
13 tracks, 150 clips, dynamics 13.13dB to 17.27dB | 4.97ms
0.0Hz
|
59
| En Vogue
| "Funky Divas", 52m:16s, max track level -11.37dB rms
13 tracks, 142 clips, dynamics 10.74dB to 14.58dB | 4.78ms
0.0Hz
|
60
| Paula Abdul
| "Forever Your Girl", 44m:35s, max track level -15.24dB rms
10 tracks, 135 clips, dynamics 15.14dB to 17.13dB | 4.17ms
0.1Hz
|
61
| Various
| "Classic Smoothies", 41m: 7s, max track level -20.39dB rms
10 tracks, 56 clips, dynamics 17.15dB to 25.80dB | 3.92ms
0.0Hz
|
62
| Queen
| "Greatest Hits II", 75m:57s, max track level -15.83dB rms
17 tracks, 211 clips, dynamics 15.27dB to 20.25dB | 7.28ms
0.0Hz
|
63
| Various
| "A Taste Of Twotone", 63m:40s, max track level -13.95dB rms
20 tracks, 208 clips, dynamics 13.98dB to 18.64dB | 6.42ms
0.1Hz
|
64
| Weird Al Yankovic
| "Greatest Hits Volume II", 44m: 3s, max track level -13.69dB rms
12 tracks, 168 clips, dynamics 13.93dB to 16.22dB | 4.44ms
0.1Hz
|
65
| Various
| "Chilled Out Classics", 49m:23s, max track level -18.87dB rms
10 tracks, 71 clips, dynamics 15.52dB to 25.81dB | 5.03ms
0.0Hz
|
66
| The Beatles
| "One", 79m: 8s, max track level -9.65dB rms
27 tracks, 294 clips, dynamics 9.84dB to 15.85dB | 8.41ms
0.1Hz
|
67
| Ace Of Base
| "Happy Nation", 57m:52s, max track level -17.23dB rms
15 tracks, 233 clips, dynamics 12.99dB to 19.91dB | 6.37ms
0.1Hz
|
68
| Elton John
| "Greatest Hits 19702002 Disc 2 ", 77m:50s, max track level -12.05dB rms
17 tracks, 208 clips, dynamics 11.43dB to 18.94dB | 9.27ms
0.0Hz
|
69
| George Michael
| "Faith", 58m: 2s, max track level -17.20dB rms
11 tracks, 243 clips, dynamics 17.29dB to 22.55dB | 7.12ms
0.1Hz
|
70
| Queen
| "Greatest Hits", 58m:27s, max track level -13.51dB rms
17 tracks, 198 clips, dynamics 13.55dB to 18.71dB | 7.41ms
0.1Hz
|
71
| Various
| "Body & Soul Classical Music To Inspire Refresh & Revitalise", 35m:40s, max track level -19.85dB rms
8 tracks, 61 clips, dynamics 15.78dB to 21.45dB | 4.60ms
0.0Hz
|
72
| The Notting Hillbillies
| "Missing & Presumed Having A Good Time", 40m:44s, max track level -17.82dB rms
11 tracks, 87 clips, dynamics 16.19dB to 20.03dB | 5.31ms
0.0Hz
|
73
| Various
| "Best Of Classics", 54m:27s, max track level -19.97dB rms
17 tracks, 128 clips, dynamics 17.71dB to 30.90dB | 7.17ms
0.0Hz
|
74
| Pink Floyd
| "Dark Side Of The Moon", 42m:54s, max track level -15.44dB rms
9 tracks, 210 clips, dynamics 15.77dB to 18.38dB | 5.67ms
0.1Hz
|
75
| Pink Floyd
| "Division Bell", 66m:30s, max track level -13.51dB rms
11 tracks, 171 clips, dynamics 13.26dB to 19.53dB | 8.80ms
0.0Hz
|
76
| Michael Schenker Group
| "Masters Of Rock", 66m:11s, max track level -12.77dB rms
14 tracks, 361 clips, dynamics 12.09dB to 15.20dB | 10.6ms
0.1Hz
|
77
| Elton John
| "Greatest Hits 1970 & 2002 & CD3", 50m:37s, max track level -12.21dB rms
11 tracks, 178 clips, dynamics 10.70dB to 15.94dB | 8.19ms
0.1Hz
|
78
| Various
| "Atomic New Wave Hits From The 70s And 80s", 67m:58s, max track level -12.28dB rms
20 tracks, 381 clips, dynamics 12.44dB to 18.15dB | 11.2ms
0.1Hz
|
79
| Mariah Carey
| "Illl Be There Unplugged Single", 16m:22s, max track level -15.04dB rms
4 tracks, 64 clips, dynamics 14.82dB to 17.35dB | 2.88ms
0.1Hz
|
80
| Martika
| "Love Thy Will Be Done", 13m:46s, max track level -16.57dB rms
3 tracks, 79 clips, dynamics 15.40dB to 16.63dB | 3.15ms
0.1Hz
|
81
| Train
| "Train", 56m:36s, max track level -11.69dB rms
13 tracks, 291 clips, dynamics 12.20dB to 18.98dB | 13.0ms
0.1Hz
|
Files scanned by SeeDeClip 3 digital waveform declipper from Cutestudio Ltd.
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